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I.M Pei : ウィキペディア英語版
I. M. Pei

Ieoh Ming Pei (born April 26, 1917), commonly known as I. M. Pei, is a Chinese American architect. In 1948, Pei was recruited by New York real estate magnate William Zeckendorf. There he spent seven years before establishing his own independent design firm I. M. Pei & Associates in 1955, which became I.M. Pei & Partners in 1966 and later in 1989 became Pei Cobb Freed & Partners. Pei retired from full-time practice in 1990. Since then, he has taken on work as an architectural consultant primarily from his sons' architectural firm Pei Partnership Architects. His first major recognition came with the National Center for Atmospheric Research in Colorado; his new stature led to his selection as chief architect for the John F. Kennedy Library in Massachusetts. He went on to design Dallas City Hall and the East Building of the National Gallery of Art.
He returned to China for the first time in 1975 to design a hotel at Fragrant Hills, and designed Bank of China Tower, Hong Kong, a skyscraper in Hong Kong for the Bank of China fifteen years later. In the early 1980s, Pei was the focus of controversy when he designed a glass-and-steel pyramid for the Musée du Louvre in Paris. He later returned to the world of the arts by designing the Morton H. Meyerson Symphony Center in Dallas, the Miho Museum in Japan, the Suzhou Museum in Suzhou, and the Museum of Islamic Art in Qatar.
Pei has won a wide variety of prizes and awards in the field of architecture, including the AIA Gold Medal in 1979, the first ''Praemium Imperiale'' for Architecture in 1989, and the Lifetime Achievement Award from the Cooper-Hewitt, National Design Museum in 2003. In 1983, he won the Pritzker Prize, sometimes called the Nobel Prize of architecture.
==Childhood==

Pei's ancestry traces back to the Ming Dynasty, when his family moved from Anhui province to Suzhou. Finding wealth in the sale of medicinal herbs, the family stressed the importance of helping the less fortunate.〔Wiseman, pp. 29–30; Boehm, p. 17.〕 Ieoh Ming Pei was born on April 26, 1917 to Tsuyee Pei and Lien Kwun, and the family moved to Hong Kong one year later. The family eventually included five children. As a boy, Pei was very close to his mother, a devout Buddhist who was recognized for her skills as a flautist. She invited him, his brothers, and his sisters to join her on meditation retreats.〔Wiseman, pp. 31–32; Boehm, p. 25.〕 His relationship with his father was less intimate. Their interactions were respectful but distant.〔Wiseman, p. 31.〕
Pei's ancestors' success meant that the family lived in the upper echelons of society, but Pei said his father was "not cultivated in the ways of the arts".〔Quoted in Wiseman, p. 31.〕 The younger Pei, drawn more to music and other cultural forms than to his father's domain of banking, explored art on his own. "I have cultivated myself", he said later.〔
At the age of ten, Pei moved with his family to Shanghai after his father was promoted. Pei attended Saint Johns Middle School, run by Protestant missionaries. Academic discipline was rigorous; students were allowed only one half-day each month for leisure. Pei enjoyed playing billiards and watching Hollywood movies, especially those of Buster Keaton and Charlie Chaplin. He also learned rudimentary English skills by reading the Bible and novels by Charles Dickens.〔Wiseman, pp. 31–33.〕
Shanghai's many international elements gave it the name "Paris of the East".〔Boehm, p. 21.〕 The city's global architectural flavors had a profound influence on Pei, from the Bund waterfront area to the Park Hotel, built in 1934. He was also impressed by the many gardens of Suzhou, where he spent the summers with extended family and regularly visited a nearby ancestral shrine. The Shizilin Garden, built in the 14th century by a Buddhist monk, was especially influential. Its unusual rock formations, stone bridges, and waterfalls remained etched in Pei's memory for decades. He spoke later of his fondness for the garden's blending of natural and human-built structures.〔〔
Soon after the move to Shanghai, Pei's mother developed cancer. As a pain reliever, she was prescribed opium, and assigned the task of preparing her pipe to Pei. She died shortly after his thirteenth birthday, and he was profoundly upset.〔Boehm, p. 25.〕 The children were sent to live with extended family; their father became more consumed by his work and more physically distant. Pei said: "My father began living his own separate life pretty soon after that."〔Boehm, p. 26.〕 His father later married a woman named Aileen, who moved to New York later in her life.〔Gonzalez, David. "(About New York; A Chinese Oasis for the Soul on Staten Island )". The New York Times. 28 November 1998. Accessed on 17 January 2011.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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